Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.

There you find something special, something you canРІР‚в„ўt find on most copies. The first step is to go deep into the sound. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages. If you have five or ten copies of a record and play them over and over against each other, the process itselfР’В teaches you whatРІР‚в„ўs right and whatРІР‚в„ўs wrong with the sound of the album. Then we unplugged everything in the house we could get away with, carefully warmed up the system, TalismanРІР‚в„ўd it, found the right VTA for our Triplanar arm (by ear of course) and proceeded to spend the next couple of hours playing copy after copy on side one, after which we repeated the process for side two. We cleaned them as carefully as we always do. РµСљРЃР·вЂќВ°Р·С”С–РёТђС—РµВ·С›РїСРЉР¶вЂ“Р‡РµРЃРѓРµВ¤В«Р·вЂ°в„–РµСљРЃ РґС”РЃРµС•В·Р¶Р€В®Р·В»Т‘РµВ°вЂќР№В«ВРґС‘В РїСв‚¬ РёвЂ№В±РёР‡В РїСС™ Hendersonville_High_School_(Tennessee)РїСвЂ°РёР‡В»Р№В«ВРґС‘Р‚РµвЂ™РЉР№В«ВРґС”РЉ РіР‚вЂљРµС’Р‹Р¶СњТђРїСРЉРґС‘С”РґС”вЂ Р·В»в„ўРµВ·РЋР¶СвЂќР¶вЂ”ТђР·РЃвЂ№РёвЂ¦С•РµвЂЎС”Р·В©С”Р№вЂ”Т‘РїСРЉР¶вЂ“Р‡РµРЃРѓРµВ¤В«Р·вЂ°в„–РёР…В¬РµВВ¦Рµв‚¬В°Р¶РЏС’РґС•вЂєРµВ®В¶Р¶вЂўв„ўР¶СљРЊРµР‰РЋР·С™вЂћР·В§РѓР·В«вЂ№РµСџС”Р·СњР€Р¶вЂўв„ўРµВВ¦Р¶В РЋРґС”С™РґСВ¦РµВВ¦Р№в„ўСћРїСв‚¬Aaron AcademyРїСвЂ°РіР‚вЂљР¶вЂ“Р‡РµРЃРѓРµВ¤В«Р·вЂ°в„–РґС—СњР¶РЉРѓРґС”вЂ 4.Recently we did one of our regular shootouts for TakinРІР‚в„ў It To The Streets, using pressings we know from experience to have the potential for Hot Stamper sound.

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